“Night Trap”

“I don’t have much to say. It’s pretty straightforward slasher stuff.

So what I’ll say is why I think the plot of Friday the 13th, the proto-slasher(?) is really dumb.

If you’ve heard of this, you’ve no doubt heard that Jason isn’t the killer, but Jason’s mom. If you haven’t, then this probably isn’t information that matters to you at this point.

This whole mom thing doesn’t work. Because we don’t even SEE Jason’s mom until the last half hour of the movie. So the whole time you’re wondering who the killer is…and it’s a character you didn’t even know existed. So it’s not like you could say, “You know what? I bet it was that middle-aged woman!” That wasnt even a selectable option until it was a foregone conclusion.

We miss a lot in this movie compared to the contemporary Halloween. In Halloween, we see the killer fully way before the action really starts. It works. It builds tension, and we see that Michael Myers or The Shape is formidable. In Friday, we don’t get to see the killer, we see most of the kills from either a first-person of the killer perspective or with the killer completely absent.

Characters recognize Pam Voorhees before they’re killed, which makes us think the killer is someone we know, but it ends up being someone THEY know, but we don’t. It’s a cheat, at best.

This movie is one of the OG slashers, so the rules weren’t clear yet. But it’s definitely a storytelling rule that if you’re going to put a mystery out there, if the true perpetrator turns out to be an unknown, it’s just not going to work. It’s a little bit of a fuck you to the viewer. The way this works out best, the viewer would get some clues as to who’s doing the shit, but they wouldn’t all know who it was before the reveal. So in retrospect, you’d look back and say, “Oh, that makes sense!” With Friday the 13th, that’s not possible because you don’t even know about what happened to Jason, let alone about his mom, until Pam Vorhees shows up 40 minutes before the ending.

Anyway, a little more plotting would’ve helped a lot. And I can totally forgive this early entry into the genre, but I think some newer movies could learn from the past and raise the bar a little. “