“My mother, Bloody Mary, Mary Contrary, steps up to a podium, another dark wooden jobber with another college emblem on it.
When she speaks, my motherâs mouth wonât open all the way, straps of cords and muscle that you see, that you watch while they hold back her mouth, around her jaw and down to the dark red line around her neck, right where a choker necklace would sit.
My mother, beauty martyr, the face of progress.
You hear people cough across the lecture hall, the airâs that quiet, that still. People listen to my motherâs words, hard to hear sometimes with the ways her bottom lip wonât move under her teeth for the sound at the beginning of âphallocentric,â or pop the P sound at the beginning of âpower dynamic.â The audience watches while my motherâs red face, always blood red, blooms redder under the stage lights.
My motherâs eyes, still the same blue, the blue from a peppermint gum package, the same blue as mine.
She tells it her way, about the night the sideshow started, the night she got free from her face.”